In worship at my congregation we try to engage all of the senses, but that’s not easy. Hearing is the easiest one to engage in traditional Lutheran worship; that’s what we tend to do best. But when we get out of that comfort zone–how do I put this?–cool things happen. Especially when the original worship plan doesn’t work.
Yesterday, on Palm Sunday, we decided to engage both eyes and hands in the experience of the Passion Story—Jesus’ suffering and death as told in Matthew 26:14-27:66. It’s a long story and difficult to just listen to all at once, but it’s central to Christian faith and central to this Holy Week leading up to Easter. Our congregation has experienced various and powerful dramas in past years as well as choral readings. But this year I wondered if our imaginations could be freed up to enter the story, and let it enter us, by a different use of the senses:
- Hearing the story read,
- Seeing thematic images and words on the screen (a palm branch, a garden, a rocky path), and
- Holding a large rock in our hands as a concrete focus for our imagination.
Instead of trying to digest the story all at once, we broke it up with brief interludes from the musical Jesus Christ Superstar, played live. (Many people in our congregation had recently experienced the musical when it was produced in town.) Those interludes became times to imagine the place our own rock might have in the story: underneath Jesus as he threw himself on the ground to pray at Gethsemane, for example. (You can read the script of readings and reflections here.)
Lutherans say we worship in “Word and Sacrament”—“Word” meaning both the Word of Scripture and the Word who is Christ—but people aren’t all wired to receive “words” in the same way. Some of us are much more visual than auditory, and some of us learn with our hands. (Touch regularly happens in worship through sharing the peace—handshakes or hugs—and receiving communion, which engages smell and taste too.)
But all of that is background to what I really wanted to say today, which is what I learn from such multi-sensory worship experiments. Every time you bring objects into worship, you open up Pandora’s box of what the objects will actually turn out to mean to people. In the context of corporate worship, the objects don’t always mean what you had envisioned, and people don’t always interpret your instructions the way you had envisioned, either. Continue reading →





